Program

Provisional program



Thursday, 21 November
Casa de Fronteira e Alorna Foundation: Sala das Batalhas


Morning 

9:00
Registration


10:00
Opening Session

Institutional Presentation

Fronteira e Alorna Foudation
Nova University
Lisbon’s Superior School of Music
CESEM Reserch Center
FCSH Music Department

Conference presentation

Isabel Pires
Rui Pereira Jorge


11:00
Coffee Break 


11:30
Keynote Speech

Horacio Vaggione (Paris VIII University)
Composing Singularities


12:30
Lunch


Afternoon

14:00
Panel 1

Moderated by…

Hans Hess
Orfeu Negro

João Pedro Oliveira
Gesture relationships Between Sound and Image

Ana Cristina Bernardo
Contemporary Portuguese music performance as research: intertextuality in “Sedoso” and “Saudoso” as a case study

Dominika Porebska
Superiority of the Thought upon the Matter: the Form of composing


15:30
Coffee Break


16:00
Panel 2

Moderated by…

José Oliveira Martins
Lutosławski’s Twelve-Note Chords and the Renewed Exploration of Harmony in the Twentieth-century

Tomás Henriques
Composing Space: Innovative sound display techniques for a 52.1 Surround Mixing System

Rita Torres
“Si amanece, nos vamos”: From a Goya print to a new form of usage of guitar multiphonics

Sara Carvalho
Spinning Yarns: Gesture and indeterminacy in collaborative composition


17:30
Guided walk to the Casa de Fronteira e Alorna historical Gardens


18:30
Break


19:00
Concert 1

Program to be announced



Thursday, 22 November
Lisbon's Superior School of Music (ESML)


Morning 

9:00
Panel 3 : Room 1

Moderated by…

José Besada
Different Trails: On the Multiple Genetic Roots Determining a Distributed Compositional Project

Marcello Messina & Leonardo Feichas
Ntrallazzu: a series of live-score pieces oncreative interaction and public surveillance

Violetta Kostka
Paweł Szymański’s works referring to medieval music

Robert Jedrejewski
Pure Intuitive Act

Anna Terzarol
“Spatial Composition”: a reflection on it and on its use


9:00
Panel 4 : Room 2

Moderated by…

Katrin Stock
Music theatre as an application for mobile devices and interactive performance

Mariana Miguel, Paulo Rodrigues & Helena Rodrigues
CMT’s artistic-educative constellations and its music-making practice

Diogo Carriço
Computer vision color tracking

Paulo Perfeito
Jazz Harmony: Chordscales and Implied Modulatory Fields

Bernhard Alexander Achhorner
The Gestural as a Parameter in Contemporary Music Notations


10:45
Coffee Break


11:15
Panel 5 : Room 1

Moderated by…

Isabella Fabbri
Mixed music – synchronization – multimedia

Mario Lorenzo
What does “figure” mean today ?

Andreia Nogueira
Preserving contemporary music today. The case of “Jogo Projectado I” (1979).

Christine Dysers
Waltzing with chaos: drifting repetition and dynamic attending in the music of Bernhard Lang


11:10
Panel 6 : Room 2

Moderated by…

Jasna Jovicevic
Free Music Improvisation as a Collaborative Creative Event

Mauro Fosco Bertola
Tarrying with the negative? Contemporary music and the sublime

Gonçalo Gato
Computer-assisted harmony in practice

Daniel Moreira
Time and memory, desire and obsession: Bernard Herrmann’s music for Hitchcock’s Vertigo


13:00
Lunch


Afternoon

14:30
Panel 7 : Room 1

Moderated by…

Tristan Mckay
Into the Wilderness: A Semiotic Analysis of Notations in Will Redman’s Book (2006)

Robert Hasegawa
Rhythm and repetition in Gérard Grisey’s Vortex temporum

Alexandre Damasceno
Development of musical motives in the drums: a theoretical and practical approach to their use in the study and musical performance in this instrument

Pedro Berardinelli
Sound as matter

Fernando Magre
Wandering routes and new terminologies: from “Musiktheater” to “Música-teatro”


14:30
Panel 8 : Room 2

Moderated by…

Pedro Louzeiro
“Aspects and potentialities of a real-time composition and notation system – Comprovisador”

Isabel Urrutia & José Luis Campana
WORLD TIMBRES MIXTURE (WTM) A new sound for the chamber and orchestral music in XXI century

Michael Schumacher
Composing Boundaries: A Portable, Immersive, Music Performance System

Adam Stanovic
The Dissolving Work

Henrique Portovedo & Paulo Ferreira Lopes
Composition Models for Augmented Instruments and New Interfaces: HASGS as Case Study


16:20
Coffee Break


16:40
Panel 9 : Room 1

Moderated by…

Bryan Hayslett
Gesture and Phrasing in the Music of Lee Hyla: Temporal Perception and Performance

Samuel Peruzzolo Vieira
Composing in collaboration: A hermeneutic approach on composition and notation

Jim Dalton
Size Does Matter: Microtonal Harmonic Distance as a Structural Determinant in Just Intonation

Cláudio Pina
Extended techniques on the pipe organ


16:40
Panel 10 : Room 2

Moderated by…

Jessica Aslan
Breaking the algorithm: A heretical approach Computer Aided Algorithmic Composition

Tiago Sousa
Appreciating a musical composition – a synthesis between Levinson’s concatenationism and Kivy’s architecturalism

Igor C. Silva
Plastic Air: multimedia plastic synchronization

Amy Mallet
‘You will grow to hate emails from me’

Ana Martins
A CODFISH IN THE SKY WITH SALT!? The representations of portuguese media about the relationship between rock’n’roll music and drug abuse (1980-2018)


18:30
Break


20:00
Social Dinner

Place to be announced



Friday, 23 November


Morning 
Casa de Fronteira e Alorna Foundation: Sala das Batalha

9:00
Panel 11

Moderated by…

Ieong Cheng (Katy) Ho
Exploring the Possibilities of a Collaborative Composition Program for Children

Christian Benvenuti
Composing in the Zettabyte Era: an Information-Theoretical Approach to Composition

Dimitris Exarchos
On the Work of Modern Composition

Diana Ferreira
New Music for New Musicians – New Musicians for New Audiences – New Audiences for New Music: the case of Arte no Tempo.


10:30
Coffee Break


11:00
Panel 12

Moderated by…

Filipa Magalhães
What place does Constança Capdeville hold in contemporary Portuguese music history?

Francisco Monteiro
MELODRAMA: From performance to composition

Javier Subatin
Contemporary Jazz: Understanding Jazz Composers’ Current Reality

Martin Knust
Library Music: Composition, Compilation, or Copy?


12:30
Lunch


Afternoon
Lisbon's Superior School of Music (ESML)

15:00
Keynote Speech : Auditorium

François Bayle (GRM / Magison : Paris)
A dialogue with the composer

(With Isabel Pires)
(Direct translation by Nicholas McNair)


16:00
Coffee Break


16:30
Concert 2

Program to be announced…


17:30
Conference Closing 
(Announcement of main subject and dates to the 2nd NCMM edition, in 2020)