Program

Updated program



Wednesday, 21 November
Casa de Fronteira e Alorna Foundation: Sala das Batalhas


Morning 

9:30
Registration


10:30
Opening Session

Institutional Presentation

Dom José Mascarenhas, President of the Casas de Fronteira e Alorna Foundation

João Soeiro de Carvalho, Vice-president of the Scientific Council, of
Nova School of Social Sciences and Humanities

Carlos Caires, Lisbon’s Superior School of Music

Manuel Pedro Fereira, President of Research Center for Studies in Musical Sociology and Aesthetics (CESEM)

Paulo Ferreira de Castro, executive coordinator of the Musical Sciences Department

Conference presentation

Isabel Pires
Rui Pereira Jorge


11:30
Coffee Break 


12:00
Keynote Speech

Horacio Vaggione (Paris VIII University)
Composing Singularities


13:00
Lunch


Afternoon

14:30
Panel 1

Moderated by José Oliveira Martins

Hans Hess
Orfeu Negro

João Pedro Oliveira
Gesture relationships Between Sound and Image

Ana Cristina Bernardo
Contemporary Portuguese music performance as research: intertextuality in “Sedoso” and “Saudoso” as a case study

Dominika Porebska
Superiority of the Thought upon the Matter: the Form of composing


16:00
Coffee Break


16:30
Panel 2

Moderated by João Pedro Oliveira

José Oliveira Martins
Lutosławski’s Twelve-Note Chords and the Renewed Exploration of Harmony in the Twentieth-century

Tomás Henriques
Composing Space: Innovative sound display techniques for a 52.1 Surround Mixing System

Rita Torres
“Si amanece, nos vamos”: From a Goya print to a new form of usage of guitar multiphonics

Sara Carvalho
Spinning Yarns: Gesture and indeterminacy in collaborative composition


18:00
Break


19:00
Concert

Lili Boulanger

Albano Martins | António Pinho Vargas

D. João | Fernando Lopes Graça | José Saramago

Folk song | Fernando Lopes Graça



Thursday, 22 November
Lisbon's Superior School of Music (ESML)


Morning 

9:00
Panel 3 : Room 1

Moderated by…

José Besada
Different Trails: On the Multiple Genetic Roots Determining a Distributed Compositional Project

Marcello Messina & Leonardo Feichas
Ntrallazzu: a series of live-score pieces oncreative interaction and public surveillance

Violetta Kostka
Paweł Szymański’s works referring to medieval music

Robert Jedrejewski
Pure Intuitive Act

Anna Terzarol
“Spatial Composition”: a reflection on it and on its use


9:30
Panel 4 : Room 2

Moderated by Pedro Roxo

Katrin Stock
Music theatre as an application for mobile devices and interactive performance

Mariana Miguel, Paulo Rodrigues & Helena Rodrigues
CMT’s artistic-educative constellations and its music-making practice

Diogo Carriço
Computer vision color tracking

Paulo Perfeito
Jazz Harmony: Chordscales and Implied Modulatory Fields


10:45
Coffee Break


11:15
Panel 5 : Room 1

Moderated by…

Isabella Fabbri
Mixed music – synchronization – multimedia

Mario Lorenzo
What does “figure” mean today ?

Andreia Nogueira
Preserving contemporary music today. The case of “Jogo Projectado I” (1979).

Christine Dysers
Waltzing with chaos: drifting repetition and dynamic attending in the music of Bernhard Lang


11:10
Panel 6 : Room 2

Moderated by…

Jasna Jovicevic
Free Music Improvisation as a Collaborative Creative Event

Mauro Fosco Bertola
Tarrying with the negative? Contemporary music and the sublime

Daniel Moreira
Time and memory, desire and obsession: Bernard Herrmann’s music for Hitchcock’s Vertigo


13:00
Lunch


Afternoon

14:30
Panel 7 : Room 1

Moderated by…

Tristan Mckay
Into the Wilderness: A Semiotic Analysis of Notations in Will Redman’s Book (2006)

Robert Hasegawa
Rhythm and repetition in Gérard Grisey’s Vortex temporum

Alexandre Damasceno
Development of musical motives in the drums: a theoretical and practical approach to their use in the study and musical performance in this instrument

Isabel Urrutia & José Luis Campana
WORLD TIMBRES MIXTURE (WTM) A new sound for the chamber and orchestral music in XXI century


14:30
Panel 8 : Room 2

Moderated by Tomás Henriques

Pedro Louzeiro
“Aspects and potentialities of a real-time composition and notation system – Comprovisador”

Michael Schumacher
Composing Boundaries: A Portable, Immersive, Music Performance System

Adam Stanovic
The Dissolving Work

Henrique Portovedo & Paulo Ferreira Lopes
Composition Models for Augmented Instruments and New Interfaces: HASGS as Case Study


16:20
Coffee Break


16:40
Panel 9 : Room 1

Moderated by João Soeiro de Carvalho

Bryan Hayslett
Gesture and Phrasing in the Music of Lee Hyla: Temporal Perception and Performance

Samuel Peruzzolo Vieira
Composing in collaboration: A hermeneutic approach on composition and notation

Jim Dalton
Size Does Matter: Microtonal Harmonic Distance as a Structural Determinant in Just Intonation

Cláudio Pina
Extended techniques on the pipe organ


16:40
Panel 10 : Room 2

Moderated by…

Jessica Aslan
Breaking the algorithm: A heretical approach Computer Aided Algorithmic Composition

Tiago Sousa
Appreciating a musical composition – a synthesis between Levinson’s concatenationism and Kivy’s architecturalism

Igor C. Silva
Plastic Air: multimedia plastic synchronization

Amy Mallet
‘You will grow to hate emails from me’

Ana Martins
A CODFISH IN THE SKY WITH SALT!? The representations of portuguese media about the relationship between rock’n’roll music and drug abuse (1980-2018)


18:30
Break


20:00
Social Dinner

Lateral Bistro



Friday, 23 November
Casa de Fronteira e Alorna Foundation: Sala das Batalh


Morning 

9:30
Panel 11

Moderated by Francisco Monteiro

Ieong Cheng (Katy) Ho
Exploring the Possibilities of a Collaborative Composition Program for Children

Christian Benvenuti
Composing in the Zettabyte Era: an Information-Theoretical Approach to Composition

Dimitris Exarchos
On the Work of Modern Composition

Diana Ferreira
New Music for New Musicians – New Musicians for New Audiences – New Audiences for New Music: the case of Arte no Tempo.


11:00
Coffee Break


11:00
Panel 12

Moderated by Christian Benvenutti

Filipa Magalhães
What place does Constança Capdeville hold in contemporary Portuguese music history?

Francisco Monteiro
MELODRAMA: From performance to composition

Javier Subatin
Contemporary Jazz: Understanding Jazz Composers’ Current Reality

Martin Knust
Library Music: Composition, Compilation, or Copy?


13:00
Lunch


Afternoon

14:30
Guided visit to the Casa de Fronteira e Alorna Gardens

15:30
Keynote Speech : Auditorium

François Bayle (GRM / Magison : Paris)
A musical dialogue with the composer

(With Isabel Pires)
(Direct translation by Nicholas McNair)


16:30
Concert

François Bayle multi-channel Acousmatic Music


17:00
Conference Closing 
(Announcement of main subject and dates to the 2nd NCMM edition, in 2020)