{"version":"1.0","provider_name":"NOVA Contemporary Music Meeting","provider_url":"https:\/\/fabricadesites.fcsh.unl.pt\/ncmm","author_name":"ncmm","author_url":"https:\/\/fabricadesites.fcsh.unl.pt\/ncmm\/author\/ncmm\/","title":"Henrique Portovedo, Paulo Ferreira Lopes - NOVA Contemporary Music Meeting","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"https:\/\/fabricadesites.fcsh.unl.pt\/ncmm\/compositionmodelsforaugmentedinstrumentsandnewinterfaces\/\">Henrique Portovedo, Paulo Ferreira Lopes<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/fabricadesites.fcsh.unl.pt\/ncmm\/compositionmodelsforaugmentedinstrumentsandnewinterfaces\/embed\/\" width=\"600\" height=\"338\" title=\"&#8220;Henrique Portovedo, Paulo Ferreira Lopes&#8221; &#8212; NOVA Contemporary Music Meeting\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","description":"CITAR: Catholic University of Porto; McGill University Montreal Composition Models for Augmented Instruments and New Interfaces: HASGS as Case Study This paper discusses the relation between Augmented Instruments and Composition Models imposed by new interfaces for musical expression. Augmented instruments are defined as \u201cacoustic (sometimes electric) musical instruments extended by the addition of several sensors,Ler mais"}