Updated program
Wednesday, 21 November Casa de Fronteira e Alorna Foundation: Sala das Batalhas
Morning
9:30
Registration
10:30
Opening Session
Institutional Presentation
Dom José Mascarenhas, President of the Casas de Fronteira e Alorna Foundation
João Soeiro de Carvalho, Vice-president of the Scientific Council, of
Nova School of Social Sciences and Humanities
Carlos Caires, Lisbon’s Superior School of Music
Manuel Pedro Fereira, President of Research Center for Studies in Musical Sociology and Aesthetics (CESEM)
Paulo Ferreira de Castro, executive coordinator of the Musical Sciences Department
Conference presentation
Isabel Pires
Rui Pereira Jorge
11:30
Coffee Break
12:00
Keynote Speech
Horacio Vaggione (Paris VIII University)
Composing Singularities
13:00
Lunch
Afternoon
14:30
Panel 1
Moderated by José Oliveira Martins
João Pedro Oliveira
Gesture relationships Between Sound and Image
Ana Cristina Bernardo
Contemporary Portuguese music performance as research: intertextuality in “Sedoso” and “Saudoso” as a case study
Dominika Porebska
Superiority of the Thought upon the Matter: the Form of composing
16:00
Coffee Break
16:30
Panel 2
Moderated by João Pedro Oliveira
José Oliveira Martins
Lutosławski’s Twelve-Note Chords and the Renewed Exploration of Harmony in the Twentieth-century
Tomás Henriques
Composing Space: Innovative sound display techniques for a 52.1 Surround Mixing System
Rita Torres
“Si amanece, nos vamos”: From a Goya print to a new form of usage of guitar multiphonics
Sara Carvalho
Spinning Yarns: Gesture and indeterminacy in collaborative composition
18:00
Break
19:00
Concert
Lili Boulanger
Albano Martins | António Pinho Vargas
D. João | Fernando Lopes Graça | José Saramago
Folk song | Fernando Lopes Graça
Thursday, 22 November Lisbon's Superior School of Music (ESML)
Morning
9:00
Panel 3 : Room 1
Moderated by Andreia Nogueira
José Besada
Different Trails: On the Multiple Genetic Roots Determining a Distributed Compositional Project
Marcello Messina & Leonardo Feichas
Ntrallazzu: a series of live-score pieces oncreative interaction and public surveillance
Violetta Kostka
Paweł Szymański’s works referring to medieval music
Robert Jedrejewski
Pure Intuitive Act
9:00
Panel 4 : Room 2
Moderated by Pedro Roxo
Katrin Stock
Music theatre as an application for mobile devices and interactive performance
Mariana Miguel, Paulo Rodrigues & Helena Rodrigues
CMT’s artistic-educative constellations and its music-making practice
Diogo Carriço
Computer vision color tracking
Paulo Perfeito
Jazz Harmony: Chordscales and Implied Modulatory Fields
10:30
Coffee Break
11:00
Panel 5 : Room 1
Moderated by…
Isabella Fabbri
Mixed music – synchronization – multimedia
Mario Lorenzo
What does “figure” mean today ?
Andreia Nogueira
Preserving contemporary music today. The case of “Jogo Projectado I” (1979).
Christine Dysers
Waltzing with chaos: drifting repetition and dynamic attending in the music of Bernhard Lang
11:00
Panel 6 : Room 2
Moderated by Luisa Cymbron
Jasna Jovicevic
Free Music Improvisation as a Collaborative Creative Event
Anna Terzarol
“Spatial Composition”: a reflection on it and on its use
Mauro Fosco Bertola
Tarrying with the negative? Contemporary music and the sublime
Daniel Moreira
Time and memory, desire and obsession: Bernard Herrmann’s music for Hitchcock’s Vertigo
12:30
Lunch
Afternoon
14:30
Panel 7 : Room 1
Moderated by Riccardo Wanke
Tristan Mckay
Into the Wilderness: A Semiotic Analysis of Notations in Will Redman’s Book (2006)
Robert Hasegawa
Rhythm and repetition in Gérard Grisey’s Vortex temporum
Alexandre Damasceno
Development of musical motives in the drums: a theoretical and practical approach to their use in the study and musical performance in this instrument
Isabel Urrutia & José Luis Campana
WORLD TIMBRES MIXTURE (WTM) A new sound for the chamber and orchestral music in XXI century
14:30
Panel 8 : Room 2
Moderated by Tomás Henriques
Pedro Louzeiro
“Aspects and potentialities of a real-time composition and notation system – Comprovisador”
Michael Schumacher
Composing Boundaries: A Portable, Immersive, Music Performance System
Adam Stanovic
The Dissolving Work
Henrique Portovedo & Paulo Ferreira Lopes
Composition Models for Augmented Instruments and New Interfaces: HASGS as Case Study
16:00
Coffee Break
16:30
Panel 9 : Room 1
Moderated by …
Bryan Hayslett
Gesture and Phrasing in the Music of Lee Hyla: Temporal Perception and Performance
Samuel Peruzzolo Vieira
Composing in collaboration: A hermeneutic approach on composition and notation
Jim Dalton
Size Does Matter: Microtonal Harmonic Distance as a Structural Determinant in Just Intonation
Cláudio Pina
Extended techniques on the pipe organ
16:30
Panel 10 : Room 2
Moderated by Filipa Magalhães
Jessica Aslan
Breaking the algorithm: A heretical approach Computer Aided Algorithmic Composition
Igor C. Silva
Plastic Air: multimedia plastic synchronization
Amy Mallet
‘You will grow to hate emails from me’
18:15
Break
20:00
Social Dinner
Friday, 23 November
Casa de Fronteira e Alorna Foundation: Sala das Batalh
Morning
9:30
Panel 11
Moderated by Francisco Monteiro
Ieong Cheng (Katy) Ho
Exploring the Possibilities of a Collaborative Composition Program for Children
Christian Benvenuti
Composing in the Zettabyte Era: an Information-Theoretical Approach to Composition
Dimitris Exarchos
On the Work of Modern Composition
Diana Ferreira
New Music for New Musicians – New Musicians for New Audiences – New Audiences for New Music: the case of Arte no Tempo.
11:00
Coffee Break
11:30
Panel 12
Moderated by Christian Benvenuti
Filipa Magalhães
What place does Constança Capdeville hold in contemporary Portuguese music history?
Francisco Monteiro
MELODRAMA: From performance to composition
Javier Subatin
Contemporary Jazz: Understanding Jazz Composers’ Current Reality
Martin Knust
Library Music: Composition, Compilation, or Copy?
13:00
Lunch
Afternoon
14:30 Guided visit to the Casa de Fronteira e Alorna Gardens
15:30
Keynote Speech : Auditorium
François Bayle (GRM / Magison : Paris)
A musical dialogue with the composer
(With Isabel Pires)
(Direct translation by Nicholas McNair)
16:30
Concert
François Bayle multi-channel Acousmatic Music
17:00
Conference Closing
(Announcement of main subject and dates to the 2nd NCMM edition, in 2020)