Ângela da Ponte and Dimitris Andrikopoulos
Looking Back – Stepping Forward, Creation through the Spectrum of Tradition

Azadeh Nilchiani
The practice of listening to the city in Max Neuhaus’s approach

Carlos Villar-Taboada
Rodolfo Halffter’s Capricho, op. 40 (1978), for solo violin: topics and twelve-tone technique

Caroline Wilkins
A Surge of (Un)-Intentional Sound: On Eavesdroppng

Cláudio Pina
The acousmatic gesture in contemporary organ music

David Friedrich
Beyond Acoustics: The Impact of Cochlear Implants on Sound Perception

Gonçalo Gato
Composition: let’s talk about listening, again

Gustavo Penha
Solfege, becoming-voice and ear-voice machine in the analytic listening

Henrique Portovedo
SCAMP Singularity 3A: Algorithmic Computer-Assisted Music as means of Multidimensional Performance and Creation

João Coimbra, Henrique Portovedo and Sara Carvalho
A Gestural Interface for Real-Time Composition: concepts and implementation.

João Ricardo
Music composition and data sonification practices in the creation of synthetic soundscapes

Joevan de Mattos Caitano
International Summer Courses for New Music in Darmstadt from the perspective of Brazilian composers, instrumentalists, musicologists, and conductors in the 21st century.

Jorge Sousa and Henrique Portovedo
‘Post-digital- in contemporary music for saxophone, electronics and video

Julian Johnson
Musique, que me veux-tu? The challenge of music listening

Kenrick Ho
Flou: A Co-compositional Attempt at Algorithmic Embodiment

Leon Steidle
The modulation of perceptual states in Helmut Lachenmann’s music

Louisa Martin-Chevalier
The Various forms of Politization of Contemporary Ukrainian Musical Creation

Luís Neto da Costa and Henrique Portovedo
Oigias do Agora’s multiphonics: meaning and notation

Makis Solomos (round table)
Exploring the ecologies of music and sound. (Re)politising musical listening_Proposal for a round table discussion

Maria Inês Pires
The concerts of Drumming Grupo de Percussão: musical repertoire and venues

Marin Escande
Exploring the Japanese music scene of the 1960s from the perspective of kankyō geijutsu (environment art)

Mélissa Mathieu
When museums increase listening: sound creation in the service of transmission

Monika Karwaszewska and Beata Oryl
The Metaphorical Sense of Artistic Discourse and its Inphrastic Narrative

Nariá Ribeiro
Non beat-based rhythms in Xenakis’ string quartet Tetras

Nicholas Freer
Points of transition in John Coltrane’s harmonic practice 1957-1960; Decoupling and repurposing telos in jazz harmonic organisation.

Nicol Oddo
Rigoletto by Damiano Michieletto: a case study to understand the complex horizon of contemporary opera staging

Nicola Bizzo
The music of Queen: dynamic soundtracks and a new audiovisual relationship

Niki Zohdi
Collisions & Proximities: Discovering a Middle Ground Between Two Extremes in Composition

Paal Fagerheim
Listening to the Beat in Silence: Investigations Into Silent Disco and Individual Listening In Collective Events

Paula Gomes Ribeiro and André Malhado
(Un)listening to music: rethinking musical values in the age of the algorithms

Philippe Trovão and Henrique Portovedo
Recovery of analogue devices for live electronics: Case studies in recasting Korg SE500

Piotr Kędziora
Why do we need, if we need it at all, the concept of ambient listening?

Renata Kambarova
Approaching Nola, Shashmaqom, and Western contemporary art music through intercultural exchange and artistic research

Ricardo Thomasi and Silvio Ferraz
Inhabiting traces: creative insights from experiments with artificial ecosystems

Rita Santos
The collective consciousness, sound art, and festivals- an avant-garde insight

Roberto Oliveira-Ogando
Enrique X. Macías Collection: processes and results of the digitization of magnetic tapes

Sara Pinheiro
Foley Gesture

Silvio Ferraz
Some remarks on musical energy: analytical approach from Iannis Xenakis’ST/4-1, 02061962

Stefano Catena
A functional approach to spatial musical analysis

Teresinha Prada and Danilo Rossetti
Intertextuality Networks for a New Composition: Articulations, Interrelationships, and Emergences through Listening