Adam Stanovic
The Dissolving Work
Alexandre Damasceno
Development of musical motives in the drums: a theoretical and practical approach to their use in the study and musical performance in this instrument
Amy Mallet
‘You will grow to hate emails from me’:composing in a remote [digital] collaboration
Ana Cristina Bernardo
Contemporary Portuguese music performance as research: intertextuality in “Sedoso” and “Saudoso” as a case study
Andreia Nogueira
Preserving contemporary music today: The case of “Jogo Projectado I” (1979)
Anna Terzarol
“Spatial Composition”: a reflection on it and on its use
Bryan Hayslett
Gesture and Phrasing in the Music of Lee Hyla: Temporal Perception and Performance
Christian Benvenuti
Composing in the Zettabyte Era: an Information-Theoretical Approach to Composition
Christine Dysers
Waltzing with chaos: drifting repetition and dynamic attending in the music of Bernhard Lang
Claudio Pina
Extended techniques on the pipe organ
Daniel Moreira
Time and memory, desire and obsession: Bernard Herrmann’s music for Hitchcock’s Vertigo
Diana Ferreira
New Music for New Musicians – New Musicians for New Audiences – New Audiences for New Music: the case of Arte no Tempo.
Dimitris Exarchos
On the Work of Modern Composition
Diogo Carriço
Computer vision color tracking
Dominika Porebska
Superiority of the Thought upon the Matter: the Form of composing
Filipa Magalhães
What place does Constança Capdeville hold in contemporary Portuguese music history?
Francisco Monteiro
MELODRAMA: From performance to composition
Henrique Portovedo, Paulo Ferreira Lopes
Composition Models for Augmented Instruments and New Interfaces: HASGS as Case Study
Ieong Cheng (Katy) Ho
Exploring the Possibilities of a Collaborative Composition Program for Children
Igor C. Silva
Plastic Air: multimedia plastic synchronization
Isabel Urrutia, José Luis Campana
WORLD TIMBRES MIXTURE (WTM): A new sound for the chamber and orchestral music in XXI century
Isabella Fabbri
Mixed music – synchronization – multimedia
Jasna Jovicevic
Free Music Improvisation as a Collaborative Creative Event
Javier Subatin
Contemporary Jazz: Understanding Jazz Composers’ Current Reality
Jessica Aslan
Breaking the algorithm: A heretical approach Computer Aided Algorithmic Composition
Jim Dalton
Size Does Matter: Microtonal Harmonic Distance as a Structural Determinant in Just Intonation
João Pedro Oliveira
Gesture relationships Between Sound and Image
José Besada
Different Trails: On the Multiple Genetic Roots Determining a Distributed Compositional Project
José Oliveira Martins
Lutosławski’s Twelve-Note Chords and the Renewed Exploration of Harmony in the Twentieth-century
Katrin Stöck
Music theatre as an application for mobile devices and interactive performance
Marcello Messina, Leonardo Feichas
Ntrallazzu: a series of live-score pieces on creative interaction and public surveillance
Mariana Miguel, Paulo Rodrigues, Helena Rodrigues
CMT’s artistic-educative constellations and its music-making practice
Mario Lorenzo
What does “figure” mean today ?
Martin Knust
Library Music: Composition, Compilation, or Copy?
Mauro Fosco Bertola
Tarrying with the negative? Contemporary music and the sublime
Michael Schumacher
Composing Boundaries: A Portable, Immersive, Music Performance System
Paulo Perfeito
Jazz Harmony: Chordscales and Implied Modulatory Fields
Pedro Louzeiro
Aspects and potentialities of a real-time composition and notation system – Comprovisador
Rita Torres
“Si amanece, nos vamos”: From a Goya print to a new form of usage of guitar multiphonics
Robert Hasegawa
Rhythm and repetition in Gérard Grisey’s Vortex temporum
Robert Jędrejewski
Pure Intuitive Act
Samuel Peruzzolo-Vieira
Composing in collaboration: A hermeneutic approach on composition and notation
Sara Carvalho
Spinning Yarns: Gesture and indeterminacy in collaborative composition
Tomás Henriques
Composing Space: Innovative sound display techniques for a 52.1 Surround Mixing System
Tristan Mckay
Into the Wilderness: A Semiotic Analysis of Notations in Will Redman’s Book (2006)
Violetta Kostka
Paweł Szymański’s works referring to medieval music