[Actualization ongoing]
Adrian Alvarez Gálvez
Challenges and perspectives of performative analysis in contemporary music: the case of Andrés Alén’s Theme and Variations (on a Silvio Rodríguez’s theme)
Ambra Natati
AMUSED – The MUSical Activities in Educational Services from an integrated 0-6 year perspective
Ângela Maria Soares da Ponte
Framed stories – narrative, memory and media in “Homenagem Subconsciente”
Azadeh Nilchiani
Electroacoustic music archives: memories of an evolving music
Beata Oryl, Michał Garnowski & Monika Karwaszewska
Motus-qualius. From Motive Creation to Audio-Visual Experience
Brigida Migliore
The Arab-Islamic city soundscape in contemporary music composition
Carlos Villar-Taboada
Dialectics between Transformation and Memory: ‘Sonata’ (1989) by Enrique X. Macías
Caroline Ann Wilkins
The Play of Music Memory: A Performative Presentation
Christine Esclapez
[CO S-A]/Corsica Sud Archives: a research-creation-action project based on the reactivation of Corsican music and sound archives
Christine Dysers
Memory as Material, Remembrance as Resistance
Clare Lesser
Recording as Materialised Memory: The Analogue ‘Ghosts’ of John Cage’s 33⅓
Cláudio Pina
The legacy of the first electronic instruments: memories of the past applied in today’s technology
Cristina Eleonora Pascu
Guardians of Memory: The Role of Biography in Preserving Performance Traditions and Legacies
Dimitra Nefeli Trigka
The Lost Myspace Files: Digital Archiving, Internet Music Communities, and the Challenge of Preserving Cultural Memory
Ely Janoville Santana Sobral
Some questions about the writing of the Miradouros series: representations and meanings of the score for the modular synthesizer
Francesco Finocchiaro
Film Adaptations of Operas as Reservoirs of Musical Memory
Francisco Iván García Jimeno
Between Spaceships and Flying Kicks: A Study on Auditory Perception, Music, and Nostalgia in Arcade Soundscapes
Gonçalo Valente
Timbral perception and semantic description of synthesized sounds in European Portuguese
Haftor Medbøe
Hvor En Var Baen – Places of Childhood
Isotta Trastevere
Composing through listening: awareness of the role of short- and long-term memory in the sound creation processes
Ivana Petković Lozo
Embodying Memory and Intimate Voice: Unfolding Derrida, Barthes, and Catroga in Paulo C. Chagas’s Canções de Adélia (2017-2022)
Jack Edward Adler-McKean
Collaborative creativity through analysis and experimentation: bringing the serpent into the twenty-first century
João Gabriel Rizek
Composing with the Remnants of History
Joevan de Mattos Caitano
Venezuelan Composers at the International Summer Courses for New Music in Darmstadt: An Introduction
Kai-Young Chan
Creativity through Cantonese Text-setting: Algorithmic Approaches and AI Potentialities
Kirill Smolkin
Re-composing Tchaikovsky Today
Lina Navickaitė-Martinelli
In Search of a Canon: (Lithuanian) Pianists and Their Cultural Memories
Luís Candeias Mandacaru
The History of the DJ in Portugal
Luís Neto da Costa
Microtonal expansions: the diverse techniques in Luís Neto da Costa’s pieces from 2016 to 2021
Malte Kobel
Ornette Coleman, the unnotable: transcription, historiography and incomprehensibility
Malwina Marciniak
Narrative Theories as an Important Tool for the Analysis and Interpretation of Contemporary Music: the Case of 21st-Century Piano Concertos
Margarethe Maierhofer-Lischka
Rumours, Whispers and Broken Memories: musical aesthetics of trauma-related memory disorders in the works of Beat Furrer
Maria Inês Pires
Sond’Ar-te Electric Ensemble: fifteen years of contemporary music
Marina Sudo & Olivier Lartillot
Improving Auditory Memory for Analysing Contemporary Music: The Use of Computational Analytical Tools as an Aid of Listening
Martin Laliberté
Free electroacoustic improvisation, a curious case of memory and spontaneity
Márton Gábor Szives
Pianistic Approach – paradigm shift in performance and practise
Neil Johnson-Symington
Alive and Kicking: Curating Riverside Museum’s Record Shop Exhibit
Nicholas McNair
Improvisation versus score – memory, language and ritual
Nicholas Souchal
Memory in improvised processes, the example of the El Memorioso group
Oana Andreica
Subjectivity, Memory and Time in Costin Miereanu’s Music
Olga Czesława Rduch
Polish Musicals identity, cultural memory, performance, practices
Ouassim Chahed
Brotherhood music in Tunisia from the place of worship to the production of shows
Paal Fagerheim
Memories of place. Hip Hop in Norway and the performance of nostalgia
Pedro Massano Almeida
Preservation and Restoration of Magnetic Tape Recordings
Pedro Flor & Susana Varela Flor
Musical Stumbles: Discoveries of the Past Shaping Today’s Musical Memory
Peter Edwards
Memory and the Aesthetics of Overload
Pierre Pichon
The memory of recorded music at the Bibliothèque nationale de France
Piotr Kedziora
Whose memory? Whose music? Background music as an egalitarian auditory experience and the issue of the memory
Rachel Elizabeth Sullivan
Metamorphic Conservation: Creating new instruments through interdisciplinary experimentation
Rachel Elizabeth Sullivan
Neurologically-Disrupted Composition: A self-case study on navigating the compositional process with a neurological disorder
Rafael Lopes dos Santos
Soundscapes as a resource for musical creation: A reflection based on the discography of Egberto Gismonti
Ricardo João Domingues Pires, Henrique Portovedo & Mário Dinis Marques
The sound of gesture: Gesture as an element of manipulation in real-time electronic music for saxophone
Rita de Cássia Domingues Santos
Analysis of six works by Gilberto Mendes from the perspective of intertextuality
Saverio Beccaccioli
Anonymity and hype create collective memory: itineraries in 21st century Italian independent music
Sofia Weck
The challenge to preserve the Sylvano Bussotti’s Heritage
Taíssa Marchese
Orthodoxy as cultural heritage in Vuk Kulenovic’s Hilandarska zvona
Valentín Benavides
“Tratado de lágrimas” by José María Sánchez-Verdú: A Contemporary Musical Materialisation of the Lamentations of Jeremiah
Vitor Lyra Biagioni
Augmented Brazilian Pandeiro: a beginning of an idea
Vitor Lyra Biagioni
Bumba meu boi from Maranhão: description of two creative contemporary processes
Vitor Lyra Biagioni & Daniel Nogueira Parente
Creative and interpretive possibilities based on the aural model concept