[Actualization ongoing]

Adrian Alvarez Gálvez
Challenges and perspectives of performative analysis in contemporary music: the case of Andrés Alén’s Theme and Variations (on a Silvio Rodríguez’s theme)

Ambra Natati
AMUSED – The MUSical Activities in Educational Services from an integrated 0-6 year perspective

Ângela Maria Soares da Ponte
Framed stories – narrative, memory and media in “Homenagem Subconsciente”

Azadeh Nilchiani
Electroacoustic music archives: memories of an evolving music

Beata Oryl, Michał Garnowski & Monika Karwaszewska
Motus-qualius. From Motive Creation to Audio-Visual Experience

Brigida Migliore
The Arab-Islamic city soundscape in contemporary music composition

Carlos Villar-Taboada
Dialectics between Transformation and Memory: ‘Sonata’ (1989) by Enrique X. Macías

Caroline Ann Wilkins
The Play of Music Memory: A Performative Presentation

Christine Esclapez
[CO S-A]/Corsica Sud Archives: a research-creation-action project based on the reactivation of Corsican music and sound archives

Christine Dysers
Memory as Material, Remembrance as Resistance

Clare Lesser
Recording as Materialised Memory: The Analogue ‘Ghosts’ of John Cage’s 33⅓

Cláudio Pina
The legacy of the first electronic instruments: memories of the past applied in today’s technology

Cristina Eleonora Pascu
Guardians of Memory: The Role of Biography in Preserving Performance Traditions and Legacies

Dimitra Nefeli Trigka
The Lost Myspace Files: Digital Archiving, Internet Music Communities, and the Challenge of Preserving Cultural Memory

Ely Janoville Santana Sobral
Some questions about the writing of the Miradouros series: representations and meanings of the score for the modular synthesizer

Florian Iochem
Machine Learning’s Potentials in Composition, Performance and Reception of Contemporary Music: Multimodal Analysis of Recent Mixed Music Works

Francesco Finocchiaro
Film Adaptations of Operas as Reservoirs of Musical Memory

Francisco Iván García Jimeno
Between Spaceships and Flying Kicks: A Study on Auditory Perception, Music, and Nostalgia in Arcade Soundscapes

Gonçalo Valente
Timbral perception and semantic description of synthesized sounds in European Portuguese

Haftor Medbøe
Hvor En Var Baen – Places of Childhood

Imed Ghdemsi
Arabic-speaking music in images: the diffusion beyond forms. The changes in media contexts of filmed musical forms and their implications for analysis and reading

Irem Elbir
Echoes of a Vibrant Past: Remembering the 90s and 2000s Popular Music in Turkey’s Polarized Memoryscape

Isotta Trastevere
Composing through listening: awareness of the role of short- and long-term memory in the sound creation processes

Ivana Petković Lozo
Embodying Memory and Intimate Voice: Unfolding Derrida, Barthes, and Catroga in Paulo C. Chagas’s Canções de Adélia (2017-2022)

Jack Edward Adler-McKean
Collaborative creativity through analysis and experimentation: bringing the serpent into the twenty-first century

João Gabriel Rizek
Composing with the Remnants of History

Joevan de Mattos Caitano
Venezuelan Composers at the International Summer Courses for New Music in Darmstadt: An Introduction

Kai-Young Chan
Creativity through Cantonese Text-setting: Algorithmic Approaches and AI Potentialities

Kirill Smolkin
Re-composing Tchaikovsky Today

Lina Navickaitė-Martinelli
In Search of a Canon: (Lithuanian) Pianists and Their Cultural Memories

Luís Candeias Mandacaru
The History of the DJ in Portugal

Luís Neto da Costa
Microtonal expansions: the diverse techniques in Luís Neto da Costa’s pieces from 2016 to 2021

Luiz Roveran
Circumscribing the open virtual universe: aleatoric and improvised music in the era of video game soundtracks

Malte Kobel
Ornette Coleman, the unnotable: transcription, historiography and incomprehensibility

Malwina Marciniak
Narrative Theories as an Important Tool for the Analysis and Interpretation of Contemporary Music: the Case of 21st-Century Piano Concertos

Margarethe Maierhofer-Lischka
Rumours, Whispers and Broken Memories: musical aesthetics of trauma-related memory disorders in the works of Beat Furrer

Maria Inês Pires
Sond’Ar-te Electric Ensemble: fifteen years of contemporary music

Marina Sudo & Olivier Lartillot
Improving Auditory Memory for Analysing Contemporary Music: The Use of Computational Analytical Tools as an Aid of Listening

Martin Laliberté
Free electroacoustic improvisation, a curious case of memory and spontaneity

Márton Gábor Szives
Pianistic Approach – paradigm shift in performance and practise

Neil Johnson-Symington
Alive and Kicking: Curating Riverside Museum’s Record Shop Exhibit

Nicholas McNair
Improvisation versus score – memory, language and ritual

Nicholas Souchal
Memory in improvised processes, the example of the El Memorioso group

Oana Andreica
Subjectivity, Memory and Time in Costin Miereanu’s Music

Olga Czesława Rduch
Polish Musicals identity, cultural memory, performance, practices

Ouassim Chahed
Brotherhood music in Tunisia from the place of worship to the production of shows

Paal Fagerheim
Memories of place. Hip Hop in Norway and the performance of nostalgia

Pedro Massano Almeida
Preservation and Restoration of Magnetic Tape Recordings

Pedro Flor & Susana Varela Flor
Musical Stumbles: Discoveries of the Past Shaping Today’s Musical Memory

Peter Edwards
Memory and the Aesthetics of Overload

Pierre Pichon
The memory of recorded music at the Bibliothèque nationale de France

Piotr Kedziora
Whose memory? Whose music? Background music as an egalitarian auditory experience and the issue of the memory

Rachel Elizabeth Sullivan
Metamorphic Conservation: Creating new instruments through interdisciplinary experimentation

Rachel Elizabeth Sullivan
Neurologically-Disrupted Composition: A self-case study on navigating the compositional process with a neurological disorder

Rafael Lopes dos Santos
Soundscapes as a resource for musical creation: A reflection based on the discography of Egberto Gismonti

Ricardo João Domingues Pires, Henrique Portovedo & Mário Dinis Marques
The sound of gesture: Gesture as an element of manipulation in real-time electronic music for saxophone

Rita de Cássia Domingues Santos
Analysis of six works by Gilberto Mendes from the perspective of intertextuality

Saverio Beccaccioli
Anonymity and hype create collective memory: itineraries in 21st century Italian independent music

Sofia Weck
The challenge to preserve the Sylvano Bussotti’s Heritage

Taíssa Marchese
Orthodoxy as cultural heritage in Vuk Kulenovic’s Hilandarska zvona

Thomas Bancroft
Modifying Pressing’s Model of Improvisation, Syntactical Meaning, Embodied Language and The Creativity Continuum: a new way of Seeing the Meaning and Purpose in Musical Creativity

Ulyana Barabakh
What integral serialism and chance music can teach us about our experience: a reflection on strange tools, (un)controllability and resonance

Valentín Benavides
“Tratado de lágrimas” by José María Sánchez-Verdú: A Contemporary Musical Materialisation of the Lamentations of Jeremiah

Vitor Lyra Biagioni
Augmented Brazilian Pandeiro: a beginning of an idea

Vitor Lyra Biagioni
Bumba meu boi from Maranhão: description of two creative contemporary processes

Vitor Lyra Biagioni & Daniel Nogueira Parente
Creative and interpretive possibilities based on the aural model concept

Yanis El-Masri
Standardizing timbral and movement based graphical notation: Conveying the expressivity and idiomaticity of effect pedals, amplification and amplified/electric instruments